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He Wants to Expose His Aunt. What Will He Reveal About Himself?

Discover Paul Zacharia’s 50 Stories through an authorised excerpt that opens questions about family interference, suspicion, and narrative perspective.

Cover artwork for He Wants to Expose His Aunt. What Will He Reveal About Himself?

Paul Zacharia’s 50 Stories, published by Aleph Book Company, gathers work by the Malayalam writer in a collection that introduces a range of situations and imaginative disturbances. Publisher’s page.

A useful place to begin is the publicly available extract from “The Canto of Clandestine Lovers.” Its premise concerns a nephew determined to catch his aunt’s secret lover. Authorised extract on Scroll.in.

The nephew’s determination gives the reader something to examine before any discovery occurs.

Why does he believe he is entitled to investigate?

Suspicion gives someone a task

A suspicious character can generate a plot by acting on an assumption. Watching, questioning, following, and interpreting become steps towards a desired confirmation.

The reader need not share the assumption.

That separation creates narrative pressure. We can understand what the character wants while questioning the authority they claim over someone else.

In a family story, the pressure becomes especially personal. Concern can become interference. Moral judgement can supply an excuse for curiosity.

The investigator is also being revealed

A character who tries to expose another person inevitably reveals something about themselves.

What counts as evidence to them? What do they ignore? Would they accept an answer that contradicts what they hoped to discover?

These questions can make a pursuit interesting even before its outcome.

They also provide a useful approach to reading short fiction. Follow the action, but notice the interpretation attached to it. A character may describe an event confidently while giving the reader reasons to hesitate.

Begin with the available story

A collection of fifty stories deserves more than a judgement based on its promotional description. Readers can start with the authorised extract and decide whether its perspective, movement, and handling of suspicion make them want to continue.

That is a stronger introduction than declaring every story representative of the whole.

Read the nephew’s investigation. Notice when his certainty grows. Ask whether the evidence has grown with it.

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